Archive for March, 2010

Cut-and-Paste Novels?

Posted in Uncategorized on March 24th, 2010 by Tammy – 6 Comments

paintbrush_scissors_and_glue

Thanks to student writer Greg Gephart for contributing today’s article.

The New York Times  ran a February 26, 2010, article entitled “The Free-Appropriation Writer,” by Randy Kennedy, in which he discusses the “Communal Creativity” movement in the world of literature. This was something new to me, but then this is Minnesota. We aren’t always privy to knowing about the latest movement of anything in the cold winter months. As Mr. Kennedy explains, Communal Creativity is code for blatant plagiarism. The writer responsible for this latest expose of the movement is a young German woman named Helene Hegemann who has written a novel that is a “finalist for a prestigious literary prize” to be awarded in Germany. Besides her youth, the unique thing about her novel is that much of it was plagiarized from another author. Ms. Hegemann stated that is had been her intention from the start to use someone else’s material, that it is her “birthright” to use anything available if it gets the job done. She added: “There’s no such thing as originality anyway, just authenticity.” Patrick Ross, executive director of the Copyright Alliance. counters her twisted semantics by pointing out “the expressions were original in those books, even if the ideas were not new” and that a “borrowing” culture will “quickly grow stale.”

Hegemann is supported in her argument by the writer David Shields in his Reality Hunger, “a feisty literary ‘manifesto’ built almost entirely of quotations from other writers and thinkers.” Shields argues that borrowing has been around forever and lists several prominent authors who have availed themselves of the practice—Sterne, Elliot, Emerson, Joyce—and he feels borrowing should be done more than it is.

Shield’s and Hegemann’s assertion that there is “no such thing as originality” is just a lazy writer’s way of getting something on paper. I’m not overly concerned that any writings by these two dolts will make a significant addition to the canon. What does concern me is the last statement in the essay. Louis Menand, a Harvard professor and author of The Market Place of Ideas, states, “If something is really successful, then the law tends to get changed and society changes to allow it to happen. ” There is no doubt in my mind that the “dumbing down” of America is a real phenomenon. People are becoming more reluctant to think for themselves. I recall a town hall meeting held in my hometown during the last presidential campaign. John McCain had to take the microphone away from a woman in the audience who was exclaiming that she knew, firsthand, that Obama was an Arab and a Muslim. I know these people. I grew up with them. To my horror, they are reproducing. They are the intended audience for the drivel spewed out by the likes of Hegemann and Shields.

Creative thought is a fundamental premise of our democratic way of life. The Declaration of Independence was written as an original, creatively inspired document based on ideas as old as humanity. If our founding fathers had followed Hegemann’s way of thinking they could have just as easily have inserted clauses from the Divine Right of Kings.

Not to be Missed!

Posted in Uncategorized on March 22nd, 2010 by Tammy – 5 Comments

DuJour

Today’s blog comes courtesy of fellow English Major Cris Tibbets!

In “Theater du Jour,” Metropolitan State Theater program and Theater Underground take a unique look at the students of Metropolitan State University and the issues that concern them.  Dozens of stories have been solicited and collected since the spring of 2009 from students on all three campuses.  Many students wrote their own stories; some met with student playwrights to be interviewed.  Students tell of the issues and values that matter most to them–immigration, health care, economic racism, gender identity, and truth-telling in the classroom.  

The show is performed by a company of twelve Metro State actors:  Farrah Buffington, Tracy Campion, Julie Dafydd, Justin Eggen, Michael Enderle, D.K. Iversen, John McNeil, Eric Ramberg, James Napoleon Stone, Cristopher Tibbetts, Austene Van, and Amanda Weecks.  The pieces are directed by Metro State students Julie Dafydd, D.K. Iversen, John McNeil, Eric Ramberg, Cristopher Tibbetts, and Amanda Weecks, as well as Metro faculty members Scott Rubsam and Gail Smogard.  The design team includes Kirby Moore (set/technical director); Mike Wangen (lights); Elin Anderson (costumes); and Scott Rubsam (sound and visuals).

Says company member Cristopher Tibbetts:  “It’s a rare treat to bring this show to our student population.  Since our campus is so non-traditional, we knew there would be amazing stories out there, but I am blown away by the bravery and strength of the students who are daring to share their stories with us.  It’s also fun working on an original script.  We’ve worked closely with the student playwrights and writers to honor their vision, while making sure the script is dramatically compelling.”

“Theater du Jour” will perform March 25-27 at 7 p.m. at the Whitney Stagedoor Theater on the Minneapolis campus, and April 16 at 7 p.m. in the Founder’s Hall Auditorium on the St. Paul campus.  A reception will follow the April 16 performance.  Reservations are recommended by calling 612-659-7222.

The production is dedicated to the memory of Camille D’Ambrose, former Metro State acting instructor and director, who recently passed away.

Be sure to check out the awesome poster!

The Future of Books (I can’t wait!)

Posted in Uncategorized on March 19th, 2010 by Tammy – 5 Comments

Great Moments in Literature: Cuneiform.  Alphabets. Scrolls and vellum manuscripts. The Rossetta Stone. Gutenberg’s printing press….

…the iPad…..

No joke! The touch screens and multimedia experiences packed into an iPad “book” (and other soon-to-be-unveiled gadgets)  just begin to hint about the future of reading. An English professor’s job investigating and studying modes of literacy and publishing has never been so exciting!

Sample iPad Books

Applying to Graduate School (Part 4 of 4)

Posted in Uncategorized on March 17th, 2010 by Tammy – 2 Comments
Lion's Gate at the University of Aberdeen

Lion's Gate at the University of Aberdeen

In this, the last of the posts on Graduate School, we take a look at some of the nitty-gritty, practical procedures of the application process.

Two years before Graduation: This is the time to begin researching programs to figure out what the admissions requirements are. If you think you’ll be headed to an institution requiring the GRE (Graduate Record Examination), you should buy books or CD-ROMS and start studying for the exam and taking the practice tests.

Two years before Graduation: Start saving money. Taking the GRE costs between one and two hundred dollars as does each program application. If you have the good fortune to be accepted at more than one place, you’ll want travel money to make campus visits to help you decide.

Two years before Graduation: If you’re considering a traditional graduate program in English, you should make sure you take all four survey courses (that is, LIT 341, LIT 342, LIT 371, and LIT 372) as an undergraduate.

One year before Graduation: Consider developing a focused SDIS (independent study) for the summer preceding your senior year. Many programs want to see a longer, scholarly writing sample (12-20 pages) and the senior Capstone (in Spring) occurs too late for most October application deadlines.

One year before Graduation: Go online to find out when GREs are being proctored at locations near you. You need to have the results to submit with your application materials in October. Keep in mind that you can sit for the exam more than once. That said, an admissions committee looks more favorably on someone who scores high on the first attempt than someone who finally scores high after multiple attempts.

Six months before Graduation: Apply to your selected graduate programs! If you’re sure that you’re well-qualified for a particular program and you’ve spoken to a representative about it, you might choose to apply to that program and no other. More traditional graduate students, however, should apply to a range of programs. For instance, even if you have a 4.0 and high GRE scores, so do scads of other applicants, and some programs, such as the U of Delaware, for instance, are choosing only twelve students from the entire nation to join their Master’s program in any given year. So, yeah, it can be pretty competitive to get into those highly-ranked programs.

Because the rejection rate is so high, most students protect themselves by applying to at least three (and usually five or six) different programs: a “safety” school (not particularly highly ranked, takes in many grad students because of freshman comp teaching, lower admissions standards), a dream school (I’ll never get in, but I meet the admissions criteria, so here goes!), and a couple of programs where you think you’ll likely end up.

Three months to one month before Graduation: If you’ve been accepted to multiple programs (congratulations!), do visit the campuses, meet the other grad students, and discuss your choices with your professors, both here and at the various universities so you can decide where you really want to spend the next 3-13 years of your life.